Tuesday, February 25, 2014

National Geographic Your Shot Blog - Assignment: Love Snap with Lynn Johnson



This is the blog I have been following for the class and I really liked the post that was on there this morning. 

NG does photo assignment contests every month as part of the Your Shot community, where they ask you to send in pictures that best represent a given theme.  This month was Love Snap where they asked you to submit photos that show what love really means to you.  I thought the assignment editor's comments about the technical versus the story telling aspect of taking photos was really interesting.

Friday, February 14, 2014

Magnum Photos: Peter Marlow, USA. New York. Sept. 11th Aftermath.


Peter Marlow, USA. New York. Sept. 11th Aftermath. USA. NYC. New York two months after the September 11th attacks. An American flag on the subway. 2001. Magnum Photos. Available from: http://www.artstor.org (accessed February 13. 2014). 

This appears to be an ordinary picture of a New York subway carriage. The composition of the picture looks like "just" a snap shot of a New York subway train.  The angle is slanted. It reminds me a vague mental picture of New Yorker's everyday commute. Tourists from the country or all over the world would take a picture like this. Perhaps smiling travelers would be in front of the subway carriage. For a New Yorker, the tourists' action may appear slightly strange, but for the travelers the picture is a visible memory of New York. One thing separates this picture from a casual snapshot is that the photographer might have used a longer exposure, possibly with a tripod or a well calculated use of flashlights. The picture was taken in underground or during twilight hours, and it would be impossible to reach this high-quality picture without these instruments.

The center of this photograph is an American flag, which is also an everyday vision of our life. But if you see when this photograph was taken, you realize what signified in this flag evokes an emotional reaction to many. Empty seats inside guide us to a thought about the people who had been filling those seats. The 6 Line services between Brooklyn Bridge-City Hall Station in Manhattan and Pelham Bay Park Station in Bronx. The former station is less than half a mile away from the site of the World Trade Center. 

This photograph has a personal significance, too. I moved from London to New York in 2004. I had been familiar with the London "Underground" logo with a red and white body. The tube did not bear a flag. In my memory, the vision like this photograph was the moment when I felt I was in a new country.  

Tuesday, February 11, 2014

"Kyle Cassidy Photographs Librarians"

This Is What Librarians Look Like
Jordan G. Teicher writes about photography for Slate’s Behold blog. Follow him on Twitter.


I thought that this was an interesting article and wanted to share it with the class. I'm quoting bits of it; reading it reminded me of some of the stories we've been sharing in class. And it's about the face of librarianship, huzzah!


"When you think of a librarian, what image comes to mind? Photographer Kyle Cassidy ventured to the American Library Association’s Midwinter Meeting in Philadelphia in January to explore that question. In between networking, educational events, and panels, librarians from across the country stopped by Cassidy’s makeshift studio to sit for a portrait."


"Cassidy’s project also seeks to address the budget cuts and understaffing plaguing libraries across the country today."













Tuesday, February 4, 2014

Send it to the Salt Mines: Preservation of Old Film and Negatives

When I was reading the Horvath Negative Survey paper it reminded me of a show I had seen on the use of underground salt mines to store old films because of their excellent natural climate control.  I've attached a link to an article regarding it and if you Google salt mine images you can see some pretty interesting photos of them.  I've also attached a couple here for you to see. 

Photo date 10/2005,
© Photo courtesy of Marcia Schulmeister.
 





Posted by thepropstop.wordpress.com on April 29, 2012


 


Tintype of Philip Seymour Hoffman

This tintype from the Esquire article that we looked at briefly in class is by a photographer named Victoria Will. You can see others in the series here. This particular portrait will haunt me in light of Hoffman's tragic death this weekend. The question is now that we know his fate do we see foreshadowing in the image that wasn't there to begin with? Can the pain that emanates so strongly from the plate be attributed to hindsight? Food for thought.

Saturday, February 1, 2014

Keliy Anderson-Staley

Keliy Anderson-Staley. Reine. Ambrotype.
©Keliy Anderson-Staley. (Source)


Keliy Anderson-Staley is a photographer working in both modern and archiac processes, including wet plate collodion and cyanotypes. This website focuses only on her tintypes, and this has everything.

She was recently interviewed by the National Portrait Gallery in Washington, D.C., for their Face to Face blog in conjunction with her participation in the 2013 Outwin Boochever Portrait Competition exhibition.